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The Cincinnati Art Pottery Movement of the late 1800's has left a lasting impression upon hobbyists and do-it-yourselfers alike. The early pioneering work of Mary Louise McLaughlin and Maria Longworth Nichols truly broke ground in the arena of craft practice, establishing the rise and development of china painting workshops and the pottery club niche. Thanks to the efforts of these two women, we may all sit comfortably in our chairs as we busily paint the roses red. Historically, work in this vein showcases some of the earliest attempts in do-it-yourself aesthetics and craft practice. It remains unfortunate, however, that many of the blank china objects produced for this genre lack considerable formal accomplishment and at times demonstrate unfortunate lapses in taste. Despite this, the practice remains to be highly empowering to the character of the painter/maker. The genre is set up to offer the maker both comfort and encouragement in knowing that he or she can "complete" a piece through his or hers own means – a considerable conceptual premise. Artistic validation is achieved through individual choice and the application of color…
My work is a sensuous consideration of these concerns. Impeccable, meticulous and adventurous workmanship and smart, considerate, compassionate questioning of the human condition, my small objects / moments have large intention and impact.
The work touches lightly but definitely.
Jeremy Brooks
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2100 Smallman St. Pittsburgh, PA 15222 | 412.261.7003 | www.contemporarycraft.org