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SCC
presents Assemblages by James Church and Robert Villamagna
An exhibition featuring 28 works by assemblage artists James Church
and Robert Villamagna opens on Friday November 30, 2001 and continues
through January 18, 2002 at the Society for Contemporary Crafts
satellite gallery located at One Mellon Center in downtown Pittsburgh.
One of the most mysterious art styles, assemblage has enticed
and provoked our imaginations for over half a century. By definition,
a process that combines atypical found objects and mixed media
materials. Evolved from the collage work of Pablo Picasso during
the Cubist Movement, and commonly used by the French artist Jean
Dubuffet, assemblage has become one of the most frequently used
styles in pop culture. Many artists are defined by the objects
and artistic processes that they continually incorporated in their
workJames Church and Robert Villamagna are two of these
artists.
James Church began his career as a painter in the mid 1970s. After
a move from New York City to Pittsburgh in the late 1990s he began
to introduce non-traditional materials into his work using "shadow
box" and sculptural assemblage to create a new form of visual
expression. Juxtaposing disparate found objects such as religious
statuary, old postcards, marbles, wallpaper, stamps, rubber balls,
bird nests, sea urchins, x-rays, eggs and toys objects
that carry unique individual histories
Church
creates metaphorical assemblages that capture a range of complex
emotions. Often thematically based on past personal experiences,
Church's work often "addresses notions of hope and renewal."
Church opened the Penn Gallery in Lawrenceville in June 2000,
along with abstract artist Mark Gualtieri, and his work is featured
frequently in regional exhibitions
most
recently at Penn Gallery with artist David Pohl.
Robert Villamagna works in a similar assemblage style combining
found materials with mixed media. Born in California, Villamagna
moved to the "Rust Belt" region in the late 1960s. Over
the past 20 years he has worked as an illustrator, a steelworker,
an art therapist, and a teacher and it is through these life experiences
that the artist draws his passion for art. Combining found machine
parts, hardware, toys, furniture parts, plumbing and building
materials with art materials such as acrylic, oil and enamel paints,
oil sticks, clay, wood and metal, Villamagna creates thought-provoking
and often humorous compositions giving these found materials new
life and transforming them into art. Reflecting on his process
and use of found materials Villamagna reflects, "I wonder
about the person who made them, who used them, who held them.
I like to think that a part of the soul or energy of that person
is still contained in that item, and now it's transferred into
the artwork."
Villamagna received a Master's Degree in Art Therapy from Wright
State University, and is currently an assistant professor at West
Liberty State College in West Virginia. His work has been featured
in many regional and national exhibitions, including the 91st
Associated Artists of Pittsburgh exhibition at the Carnegie Museum
of Art and Parallel Analysis a two-person exhibition with Harriete
Estel Berman at the American Jewish Museum of the Jewish Community
Center of Greater Pittsburgh. The works on exhibit in Trickster
Makes this World are for sale.
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